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- Widescreen
Monday, November 28, 2011
Formula 51 : Widescreen Edition
Erin Brockovich
- Widescreen
Broke and desperate, the twice-divorced single mom Erin bosses her way into a clerical job with attorney Ed Masry (Albert Finney), who's indebted to Erin after failing to win her traffic-injury case. Erin is soon focused on suspicious connections between a mighty power company, its abuse of toxic chromium, and the poisoned water supply of Hinkley, California, where locals have suffered a legacy of death and disease. Matching the dramatic potency! of Norma Rae and Silkwood, Erin Brockovich filte rs cold facts through warm humanity, especially in Erin's rapport with dying victims and her relationship with George (superbly played by Aaron Eckhart), a Harley-riding neighbor who offers more devotion than Erin's ever known. Surely some of these details have been embellished for dramatic effect, but the factual basis of Erin Brockovich adds a boost of satisfaction, proving that greed, neglect, and corporate arrogance are no match against a passionate crusader. (Trivia note: The real Erin Brockovich appears briefly as a diner waitress.) --Jeff Shannon
Come Early Morning
- COME EARLY MORNING FF AND WS (DVD MOVIE)
The writing-directing debut of another offbeat actress, Joey Lauren Adams (Chasing Amy), this is a beautifully observed film, free of condescension toward its Arkansas folk, with an appreciative eye for the plain beauties of small-town life and semi-rural roads, and a sharp ear for three-cushion dialogue. "Did I miss Easter?" Lucy's housemate quietly cracks when she finds Lucy dressed for Sunday-go-to-meetin'; Lucy's trying to reconnect with her estranged dad (a magical, almost wordless performance by the wonderful Scott Wilson), who's started attendi! ng "a new holy-roller church." She also meets a newcomer (Jeff! rey Dono van, excellent) who ought to be Mr. Right ... but nothing quite plays out according to formulaic expectation in this movie--among the most satisfying of 2006, which most people are going to have to discover on DVD. --Richard T. Jameson
Dogtown & Z-Boys Film - Extreme Skateboard 11x17 Poster
- 11x17 INCHES
In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees o! f accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn Meade
DOGTOWN AND Z-BOYS/GRATEFUL DAWG - DVD MovieDogtown and Z-BoysIn the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying ! "vert" (i.e. vertical) skateboarding and punk rock abandon. Di! rector S tacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn Meade
Grateful Dawg
Jerry Garcia was famous as the visionary behind the Grateful Dead, but his musical tastes were broad, and he found a rewarding partnership with mandolinist David G! risman, whose distinctive "Dawg" style fused jazz with bluegrass. At its best, Grateful Dawg celebrates the easy friendship and truly inspired musicianship of Garcia and Grisman through grainy home-movie footage with surprisingly crisp sound. As one of the film's commentators says, Grisman made Garcia tighter as a musician, while Garcia made Grisman looser, and where they met they created an infectious, rootsy style they called Grateful Dawg. The film's many highlights include instrumental versions of "Dawg Waltz," "Shady Grove," and "Arabia," as well as splendid footage from Garcia and Grisman's days in Old & in the Way. The talking heads inserted ham-handedly between and over performances, unfortunately, become repetitious and, finally, downright annoying. But Garcia and Grisman fans will still enjoy the glimpse at a rare musical alchemy. --Anne HurleyIn the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skatebo! ards and offhandedly changed the world. At least it appears so! after w atching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, w! ho narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn MeadeIn the early 1970s, the sport of skateboarding had so waned from its popularity in the 1960s that it was virtually non-existent. In the Dogtown area of west Los Angeles, a group of young surfers known as the Zephyr Team (Z-Boys) was experimenting with new and radical moves and styles in the water which they translated to the street. When competition skateboarding returned in 1975, the Z-Boys turned the skating world on its head. . Dogtown The Legend of the Z-Boys is a truly fascinating case study of just how an underground sport ascended on the world. These are the stories and images of a time that not only inspired a generation but changed the face of sport forever. The Legend of the Z-Boys has been described as "The Dogtown text book" and an insightful companion piece to the movie: "DogTown and Z-Boys". . Spanning 1975 â€" 1985, the first section of the 240 page bo! ok includes the best of the "DogTown" articles written by C.R.! Stecyk III as they originally appeared in SkateBoarder Magazine. The second half compiles 100’s of never before seen skate images from the archive of Glen E. Friedman - many of which appear in the movie. Both Stecyk and Friedman acted as executive producers and advisors for the award winning film, Dogtown and Z-Boys to be released nationwide simultaneously by Sony Picture Classics in April 2002.In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them ! famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn Meade
Down and Derby : Widescreen Edition
- Widescreen
When most Americans hear the words Â"roller derby†today, they think of the kitschy sport once popular on weekend television during the seventies and eighties. Originally an endurance competition where skaters traveled the equivalent ! of a trip between Los Angeles and New York, derby gradually evolved into a violent contact sport often involving fake fighting. But after nearly dying out in the nineties, derby has been making a comeback. From a mere handful of leagues in the United States just a few years ago, there are now more than 17,000 skaters in more than 400 leagues around the world, with hundreds of thousands of die-hard fans. Down and Derby will tell you everything you ever wanted to know about the sport. Written by veteran skaters as both a history and a how-to, Down and Derby is a brassy celebration of every aspect of the sport, from its origins in the late 1800s, to the rules of a modern bout, to the science of picking an alias, to the many ways you can get involved off skates.
Informative, entertaining, and executed with the same tough, sassy, DIY attitude — leavened with plenty of humor — that the sport is known for, Down and Derby is the first and last book on derb! y you’ll ever need.
DVDInformative, entertaining, and executed with the same tough, sassy, DIY attitude — leavened with plenty of humor — that the sport is known for, Down and Derby is the first and last book on derb! y you’ll ever need.
The Baby-Sitters Club #1: Kristy's Great Idea
- ISBN13: 9780545174756
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon Exclusive Inteview with Author Ann M. Martin
Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?Schrade SCHF1 Extreme Survival Special Forces Fixed Blade Knife, with Nylon Sheath
- 7.5" blade, 5.2" handle
- SAE 1070 High Carbon Steel blade and handle
- Includes screw driver multi-tool in handle
- Includes ballistic nylon sheath
- 17.8 ounces
How To Be A Serial Killer
- HOW TO BE A SERIAL KILLER is the story of Mike Wilson (Dameon Clarke), a charismatic, educated, and articulate young man who has found his life s purpose in exterminating people. Determined to spread his message about the joy of serial killing, Mike recruits a lost soul named Bart (Matthew Gray Gubler) to be his pupil and leads him through his 10-step program which includes such quintessential les
getting your life back on track and achieving a meaningful existence. Mike teaches his method in an exciting seminar series: How To Be A Serial Killer. Mike tells all of his stud! ents: You have what it takes, you just have to pull the trigger on the life you deserve. Students rave about Mike's depth of knowledge on the subject of serial killing and his endless enthusiasm and zest for life. One student described Mike as a tasty smoothie made from a little bit of Charles Manson, some Tony Robbins, and a sprinkle of the messianic charisma of Jesus. Mike administers his first one-on-one tutorial when he recruits a lost soul named Bart to be his pupil in the art of serial killing. Mike's 10-lesson program includes weaponry, corpse disposal, keeping things from loved ones, and many other pearls. As Mike begins to teach Bart more and more about the ways of successful serial killing, it becomes more and more difficult to hide the truth from his girlfriend Abigail (Laura Regan. And when she does inevitably find out, Mike's life as serial killer gets thrown for a serious loop. Now, devastated by the loss of the love of his life, and with the cops on his tail ! for the first time in his life, Mike and Bart retreat to Mike'! s desert hideout to make preparations for their escape to Mexico. But when a local sheriff's department interrupts their
preparations, all hell breaks loose, and Mike must learn a lesson of his own: how to deal with police standoffs and full-scale gunfights.
