Doomsday (Unrated Full Screen Edition)

• UNRATED. Includes R-Rated Theatrical Version too.
• Anatomy of Catastrophe: Civilization on the Brink - a "making of" featurette
• The Visual Effects and Wizardry of Doomsday - meet the visual effects wizards
• Devices of Death: Guns, Gadgets and Vehicles of Destruction
• Feature commentary with director Neil Marshall and cast members Sean Pertwee, Darren Morfitt, Rick Warden and Les Simpson (offered on Unrated Feature only)

From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grabs you right from the start, and doesn't let go till its explosive end! Loud, violent, and proudly derivative, the post-a! pocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision! of Scotland in ruins brings together the punk/modern primitiv! e costum e design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD

More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall

Stills from Doomsday (Click for larger image)

From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday gra! bs you right from the start, and doesn't let go till its explosive end!Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfa! ced in London (now a walled city), and Mitra is dispatched to ! find a s cientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD

More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall

Stills from Doomsday (Click for larger image)

From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic! zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grabs you right from the start, and doesn't let go till its explosive end!Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by! Bob Hoskins) to infiltrate Scotland, which has descended into! anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD

More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall

Stills from Doomsday (Click for larger image)

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Armored [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

A crew of officers at an armored transport security firm risk their lives when they embark on the ultimate heist.against their own company. Armed with a seemingly fool-proof plan, the men plan on making off with a fortune with harm to none. But when an unexpected witness interferes, the plan quickly unravels and all bets are off.A good cast does its best to make Armored roll, but while this heist flick certainly has its moments, it's ultimately arrested by a predictable story, cliché-ridden dialogue, and ham-fisted direction. Matt Dillon plays Mike, the leader of a sextet of guards working for an armored truck company; other members of the team are portrayed by Laurence Fishburne, Jean Reno, Skeet Ulrich, and Amaury Nolasco, but the key is newcomer Ty (Columbus Short), an Iraq War veteran ! whose parents have both died, leaving Ty to support his troubled younger brother and somehow pay the mortgage on the home their folks left behind. When Mike and the others cook up a scheme to steal a cool $42 million on their next delivery and then claim they were hijacked, Ty is dead set against it--until he goes home and is greeted by a child-welfare official who threatens to put his brother into foster care unless Ty can prove himself capable of looking after the kid (this is but one of the handy plot conveniences designed to push the story forward). Predictability is one thing, but director Nimrod Antal and screenwriter James V. Simpson's setups are so on-the-nose that Helen Keller could see what's coming ("Promise me nobody gets hurt," Ty says to Mike, which guarantees that the body count will start to mount almost instantly). Armored has some good action sequences, a gritty look, a couple of welcome surprises, and the occasional tense moment. But when the great! heist movies are recalled, from Topkapi to Sexy Bea! st, this one is unlikely to be among them. --Sam Graham


Stills from Armored (Click for larger image)

A crew of officers at an armored transport security firm risk their lives when they embark on the ultimate heist.against their own company. Armed with a seemingly fool-proof plan, the men plan on making off with a fortune with harm to none. But when an unexpected witness interferes, the plan quickly unravels and al! l bets are off.A good cast does its best to make Armored roll, but while this heist flick certainly has its moments, it's ultimately arrested by a predictable story, cliché-ridden dialogue, and ham-fisted direction. Matt Dillon plays Mike, the leader of a sextet of guards working for an armored truck company; other members of the team are portrayed by Laurence Fishburne, Jean Reno, Skeet Ulrich, and Amaury Nolasco, but the key is newcomer Ty (Columbus Short), an Iraq War veteran whose parents have both died, leaving Ty to support his troubled younger brother and somehow pay the mortgage on the home their folks left behind. When Mike and the others cook up a scheme to steal a cool $42 million on their next delivery and then claim they were hijacked, Ty is dead set against it--until he goes home and is greeted by a child-welfare official who threatens to put his brother into foster care unless Ty can prove himself capable of looking after the kid (this is but one of the handy plot conveniences designed to push the story forward). Predict! ability is one thing, but director Nimrod Antal and screenwriter James V. Simpson's setups are so on-the-nose that Helen Keller could see what's coming ("Promise me nobody gets hurt," Ty says to Mike, which guarantees that the body count will start to mount almost instantly). Armored has some good action sequences, a gritty look, a couple of welcome surprises, and the occasional tense moment. But when the great heist movies are recalled, from Topkapi to Sexy Beast, this one is unlikely to be among them. --Sam Graham


Stills from Armored (Click for larger image)

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